Je pense a toi
Je pense a toi
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cressus:

     No one before Bernini had managed to make marble so carnal. In his nimble hands it would flatter and stream, quiver and sweat. His figures weep and shout, their torses twist and run, and arch themselves in spasms of intense sensation. He could, like an alchemist, change one material into another - marble into trees, leaves, hair, and, of course, flesh.        -   Simon Schama’s Power of Art. Bernini
cressus:

     No one before Bernini had managed to make marble so carnal. In his nimble hands it would flatter and stream, quiver and sweat. His figures weep and shout, their torses twist and run, and arch themselves in spasms of intense sensation. He could, like an alchemist, change one material into another - marble into trees, leaves, hair, and, of course, flesh.        -   Simon Schama’s Power of Art. Bernini
cressus:

     No one before Bernini had managed to make marble so carnal. In his nimble hands it would flatter and stream, quiver and sweat. His figures weep and shout, their torses twist and run, and arch themselves in spasms of intense sensation. He could, like an alchemist, change one material into another - marble into trees, leaves, hair, and, of course, flesh.        -   Simon Schama’s Power of Art. Bernini
cressus:

     No one before Bernini had managed to make marble so carnal. In his nimble hands it would flatter and stream, quiver and sweat. His figures weep and shout, their torses twist and run, and arch themselves in spasms of intense sensation. He could, like an alchemist, change one material into another - marble into trees, leaves, hair, and, of course, flesh.        -   Simon Schama’s Power of Art. Bernini
cressus:

     No one before Bernini had managed to make marble so carnal. In his nimble hands it would flatter and stream, quiver and sweat. His figures weep and shout, their torses twist and run, and arch themselves in spasms of intense sensation. He could, like an alchemist, change one material into another - marble into trees, leaves, hair, and, of course, flesh.        -   Simon Schama’s Power of Art. Bernini
cressus:

     No one before Bernini had managed to make marble so carnal. In his nimble hands it would flatter and stream, quiver and sweat. His figures weep and shout, their torses twist and run, and arch themselves in spasms of intense sensation. He could, like an alchemist, change one material into another - marble into trees, leaves, hair, and, of course, flesh.        -   Simon Schama’s Power of Art. Bernini
cressus:

     No one before Bernini had managed to make marble so carnal. In his nimble hands it would flatter and stream, quiver and sweat. His figures weep and shout, their torses twist and run, and arch themselves in spasms of intense sensation. He could, like an alchemist, change one material into another - marble into trees, leaves, hair, and, of course, flesh.        -   Simon Schama’s Power of Art. Bernini
cressus:

     No one before Bernini had managed to make marble so carnal. In his nimble hands it would flatter and stream, quiver and sweat. His figures weep and shout, their torses twist and run, and arch themselves in spasms of intense sensation. He could, like an alchemist, change one material into another - marble into trees, leaves, hair, and, of course, flesh.        -   Simon Schama’s Power of Art. Bernini
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sassy-hook:

pleasant-trees:

aprilsvigil:

manticoreimaginary:

Watching this (and fearing broken ankles with each loop) I can’t helping thinking about that old quote Ginger Rogers did everything Fred Astaire did, except backwards and in high heels.

But no, if you watch closely you’ll see she doesn’t even step on the last chair. That means she had to trust that fucker to lift her gently to the ground while he was spinning down onto that chair. That takes major guts. I’d be pissing myself and fearing a broken neck if I were in her place. Kudos to her. 

I can’t stop watching this. 

#I watched this for too long to not reblog
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glitterpill:

bymiathermopolis:

thisguyknowswhatimtalkingabout:

Remember when I blindly hated Russel Brand? I fucked up.

"They’re in a better position to judge than I am."
I think this is how most open minded people who value communication, connection, and are willing to learn from others think.

…Did… Did Russel Brand just explain how to react to being called out on something? 
Huh.
glitterpill:

bymiathermopolis:

thisguyknowswhatimtalkingabout:

Remember when I blindly hated Russel Brand? I fucked up.

"They’re in a better position to judge than I am."
I think this is how most open minded people who value communication, connection, and are willing to learn from others think.

…Did… Did Russel Brand just explain how to react to being called out on something? 
Huh.
glitterpill:

bymiathermopolis:

thisguyknowswhatimtalkingabout:

Remember when I blindly hated Russel Brand? I fucked up.

"They’re in a better position to judge than I am."
I think this is how most open minded people who value communication, connection, and are willing to learn from others think.

…Did… Did Russel Brand just explain how to react to being called out on something? 
Huh.
glitterpill:

bymiathermopolis:

thisguyknowswhatimtalkingabout:

Remember when I blindly hated Russel Brand? I fucked up.

"They’re in a better position to judge than I am."
I think this is how most open minded people who value communication, connection, and are willing to learn from others think.

…Did… Did Russel Brand just explain how to react to being called out on something? 
Huh.
glitterpill:

bymiathermopolis:

thisguyknowswhatimtalkingabout:

Remember when I blindly hated Russel Brand? I fucked up.

"They’re in a better position to judge than I am."
I think this is how most open minded people who value communication, connection, and are willing to learn from others think.

…Did… Did Russel Brand just explain how to react to being called out on something? 
Huh.
glitterpill:

bymiathermopolis:

thisguyknowswhatimtalkingabout:

Remember when I blindly hated Russel Brand? I fucked up.

"They’re in a better position to judge than I am."
I think this is how most open minded people who value communication, connection, and are willing to learn from others think.

…Did… Did Russel Brand just explain how to react to being called out on something? 
Huh.
glitterpill:

bymiathermopolis:

thisguyknowswhatimtalkingabout:

Remember when I blindly hated Russel Brand? I fucked up.

"They’re in a better position to judge than I am."
I think this is how most open minded people who value communication, connection, and are willing to learn from others think.

…Did… Did Russel Brand just explain how to react to being called out on something? 
Huh.
glitterpill:

bymiathermopolis:

thisguyknowswhatimtalkingabout:

Remember when I blindly hated Russel Brand? I fucked up.

"They’re in a better position to judge than I am."
I think this is how most open minded people who value communication, connection, and are willing to learn from others think.

…Did… Did Russel Brand just explain how to react to being called out on something? 
Huh.
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justmadalynn:

style advice from Louise.
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universalbeauty:

Mongolia- Nomad tribal people
Tibetan man in traditional clothing and jewelry. It is traditional for Tibetan men to wear extravagant jewelry. (source)
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hoylakkemisst:

Kuchi nomad of Afghanistan with traditional face tattoos
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theswinginsixties:

Twiggy on the cover of Seventeen magazine, September 1967.
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