Je pense a toi
Hello, this is Elin, 19 years of age. Average teen, left a heavy facebook addiction, only to replace it with tumblr.. (recently started a new tumblr for my inner nerd, you can find it on http://the-fangirl-shanti.tumblr.com/)
Je pense a toi
saisonlune:

malgosia bela in pop f/w ‘05 photographed by paul wetherell
malformalady:

Jacuzzis of Mt. Roraima
Photo credit: Waldyr Neto
ohmeganisaraw:

Joseph Lorusso, Soft Eyes 
ZoomInfo
msmildred:

Marilyn Monroe photographed by John Vachon, 1953.
msmildred:

Marilyn Monroe photographed by John Vachon, 1953.
stolengirlfriend:

 
ZoomInfo
pinstripesuit:

wizzard890:

andreasmroberts:

Nicola Samori (b. 1977). Italian.
Neo-Baroque??

Nicola Samori is fucking incredible. He works out of Italy, and he’s managed to nail the style of the Old Masters: his exhibitions contain everything from beautiful Baroque saints to Flemish still lifes — all painted now, in the modern era, in his studio. And that would be amazing in and of itself, but his work is so much more than simple reproduction. See, once he’s finished with a painting, or once he’s adapted one that’s been previously created, he takes a scalpel to it, a spatula, or a square of sandpaper, and begins to peel it apart. He flays painted skin right off his subjects’ bones.
Sometimes the “destruction” of the images asks the audience to think about what, exactly, the painting communicates when it’s whole. Other times it adds a strange level of corporeality to religious works, or gives portraits a darkly spiritual dimention they never had before. 
He’s said in interviews that he views the layers of paint on the canvas as analogous to the muscle and tissue of the human body, and that by wearing it away, he changes the identity of the paintings themselves.
Dark and sometimes chilling as it is, I think his work is genuinely brilliant, and he’s one of my favorite living artists.
(Long story short, here’s his website, go check it out!)

reblogging these again because yes
pinstripesuit:

wizzard890:

andreasmroberts:

Nicola Samori (b. 1977). Italian.
Neo-Baroque??

Nicola Samori is fucking incredible. He works out of Italy, and he’s managed to nail the style of the Old Masters: his exhibitions contain everything from beautiful Baroque saints to Flemish still lifes — all painted now, in the modern era, in his studio. And that would be amazing in and of itself, but his work is so much more than simple reproduction. See, once he’s finished with a painting, or once he’s adapted one that’s been previously created, he takes a scalpel to it, a spatula, or a square of sandpaper, and begins to peel it apart. He flays painted skin right off his subjects’ bones.
Sometimes the “destruction” of the images asks the audience to think about what, exactly, the painting communicates when it’s whole. Other times it adds a strange level of corporeality to religious works, or gives portraits a darkly spiritual dimention they never had before. 
He’s said in interviews that he views the layers of paint on the canvas as analogous to the muscle and tissue of the human body, and that by wearing it away, he changes the identity of the paintings themselves.
Dark and sometimes chilling as it is, I think his work is genuinely brilliant, and he’s one of my favorite living artists.
(Long story short, here’s his website, go check it out!)

reblogging these again because yes
pinstripesuit:

wizzard890:

andreasmroberts:

Nicola Samori (b. 1977). Italian.
Neo-Baroque??

Nicola Samori is fucking incredible. He works out of Italy, and he’s managed to nail the style of the Old Masters: his exhibitions contain everything from beautiful Baroque saints to Flemish still lifes — all painted now, in the modern era, in his studio. And that would be amazing in and of itself, but his work is so much more than simple reproduction. See, once he’s finished with a painting, or once he’s adapted one that’s been previously created, he takes a scalpel to it, a spatula, or a square of sandpaper, and begins to peel it apart. He flays painted skin right off his subjects’ bones.
Sometimes the “destruction” of the images asks the audience to think about what, exactly, the painting communicates when it’s whole. Other times it adds a strange level of corporeality to religious works, or gives portraits a darkly spiritual dimention they never had before. 
He’s said in interviews that he views the layers of paint on the canvas as analogous to the muscle and tissue of the human body, and that by wearing it away, he changes the identity of the paintings themselves.
Dark and sometimes chilling as it is, I think his work is genuinely brilliant, and he’s one of my favorite living artists.
(Long story short, here’s his website, go check it out!)

reblogging these again because yes
pinstripesuit:

wizzard890:

andreasmroberts:

Nicola Samori (b. 1977). Italian.
Neo-Baroque??

Nicola Samori is fucking incredible. He works out of Italy, and he’s managed to nail the style of the Old Masters: his exhibitions contain everything from beautiful Baroque saints to Flemish still lifes — all painted now, in the modern era, in his studio. And that would be amazing in and of itself, but his work is so much more than simple reproduction. See, once he’s finished with a painting, or once he’s adapted one that’s been previously created, he takes a scalpel to it, a spatula, or a square of sandpaper, and begins to peel it apart. He flays painted skin right off his subjects’ bones.
Sometimes the “destruction” of the images asks the audience to think about what, exactly, the painting communicates when it’s whole. Other times it adds a strange level of corporeality to religious works, or gives portraits a darkly spiritual dimention they never had before. 
He’s said in interviews that he views the layers of paint on the canvas as analogous to the muscle and tissue of the human body, and that by wearing it away, he changes the identity of the paintings themselves.
Dark and sometimes chilling as it is, I think his work is genuinely brilliant, and he’s one of my favorite living artists.
(Long story short, here’s his website, go check it out!)

reblogging these again because yes
pinstripesuit:

wizzard890:

andreasmroberts:

Nicola Samori (b. 1977). Italian.
Neo-Baroque??

Nicola Samori is fucking incredible. He works out of Italy, and he’s managed to nail the style of the Old Masters: his exhibitions contain everything from beautiful Baroque saints to Flemish still lifes — all painted now, in the modern era, in his studio. And that would be amazing in and of itself, but his work is so much more than simple reproduction. See, once he’s finished with a painting, or once he’s adapted one that’s been previously created, he takes a scalpel to it, a spatula, or a square of sandpaper, and begins to peel it apart. He flays painted skin right off his subjects’ bones.
Sometimes the “destruction” of the images asks the audience to think about what, exactly, the painting communicates when it’s whole. Other times it adds a strange level of corporeality to religious works, or gives portraits a darkly spiritual dimention they never had before. 
He’s said in interviews that he views the layers of paint on the canvas as analogous to the muscle and tissue of the human body, and that by wearing it away, he changes the identity of the paintings themselves.
Dark and sometimes chilling as it is, I think his work is genuinely brilliant, and he’s one of my favorite living artists.
(Long story short, here’s his website, go check it out!)

reblogging these again because yes
pinstripesuit:

wizzard890:

andreasmroberts:

Nicola Samori (b. 1977). Italian.
Neo-Baroque??

Nicola Samori is fucking incredible. He works out of Italy, and he’s managed to nail the style of the Old Masters: his exhibitions contain everything from beautiful Baroque saints to Flemish still lifes — all painted now, in the modern era, in his studio. And that would be amazing in and of itself, but his work is so much more than simple reproduction. See, once he’s finished with a painting, or once he’s adapted one that’s been previously created, he takes a scalpel to it, a spatula, or a square of sandpaper, and begins to peel it apart. He flays painted skin right off his subjects’ bones.
Sometimes the “destruction” of the images asks the audience to think about what, exactly, the painting communicates when it’s whole. Other times it adds a strange level of corporeality to religious works, or gives portraits a darkly spiritual dimention they never had before. 
He’s said in interviews that he views the layers of paint on the canvas as analogous to the muscle and tissue of the human body, and that by wearing it away, he changes the identity of the paintings themselves.
Dark and sometimes chilling as it is, I think his work is genuinely brilliant, and he’s one of my favorite living artists.
(Long story short, here’s his website, go check it out!)

reblogging these again because yes
pinstripesuit:

wizzard890:

andreasmroberts:

Nicola Samori (b. 1977). Italian.
Neo-Baroque??

Nicola Samori is fucking incredible. He works out of Italy, and he’s managed to nail the style of the Old Masters: his exhibitions contain everything from beautiful Baroque saints to Flemish still lifes — all painted now, in the modern era, in his studio. And that would be amazing in and of itself, but his work is so much more than simple reproduction. See, once he’s finished with a painting, or once he’s adapted one that’s been previously created, he takes a scalpel to it, a spatula, or a square of sandpaper, and begins to peel it apart. He flays painted skin right off his subjects’ bones.
Sometimes the “destruction” of the images asks the audience to think about what, exactly, the painting communicates when it’s whole. Other times it adds a strange level of corporeality to religious works, or gives portraits a darkly spiritual dimention they never had before. 
He’s said in interviews that he views the layers of paint on the canvas as analogous to the muscle and tissue of the human body, and that by wearing it away, he changes the identity of the paintings themselves.
Dark and sometimes chilling as it is, I think his work is genuinely brilliant, and he’s one of my favorite living artists.
(Long story short, here’s his website, go check it out!)

reblogging these again because yes
pinstripesuit:

wizzard890:

andreasmroberts:

Nicola Samori (b. 1977). Italian.
Neo-Baroque??

Nicola Samori is fucking incredible. He works out of Italy, and he’s managed to nail the style of the Old Masters: his exhibitions contain everything from beautiful Baroque saints to Flemish still lifes — all painted now, in the modern era, in his studio. And that would be amazing in and of itself, but his work is so much more than simple reproduction. See, once he’s finished with a painting, or once he’s adapted one that’s been previously created, he takes a scalpel to it, a spatula, or a square of sandpaper, and begins to peel it apart. He flays painted skin right off his subjects’ bones.
Sometimes the “destruction” of the images asks the audience to think about what, exactly, the painting communicates when it’s whole. Other times it adds a strange level of corporeality to religious works, or gives portraits a darkly spiritual dimention they never had before. 
He’s said in interviews that he views the layers of paint on the canvas as analogous to the muscle and tissue of the human body, and that by wearing it away, he changes the identity of the paintings themselves.
Dark and sometimes chilling as it is, I think his work is genuinely brilliant, and he’s one of my favorite living artists.
(Long story short, here’s his website, go check it out!)

reblogging these again because yes
pinstripesuit:

wizzard890:

andreasmroberts:

Nicola Samori (b. 1977). Italian.
Neo-Baroque??

Nicola Samori is fucking incredible. He works out of Italy, and he’s managed to nail the style of the Old Masters: his exhibitions contain everything from beautiful Baroque saints to Flemish still lifes — all painted now, in the modern era, in his studio. And that would be amazing in and of itself, but his work is so much more than simple reproduction. See, once he’s finished with a painting, or once he’s adapted one that’s been previously created, he takes a scalpel to it, a spatula, or a square of sandpaper, and begins to peel it apart. He flays painted skin right off his subjects’ bones.
Sometimes the “destruction” of the images asks the audience to think about what, exactly, the painting communicates when it’s whole. Other times it adds a strange level of corporeality to religious works, or gives portraits a darkly spiritual dimention they never had before. 
He’s said in interviews that he views the layers of paint on the canvas as analogous to the muscle and tissue of the human body, and that by wearing it away, he changes the identity of the paintings themselves.
Dark and sometimes chilling as it is, I think his work is genuinely brilliant, and he’s one of my favorite living artists.
(Long story short, here’s his website, go check it out!)

reblogging these again because yes
pinstripesuit:

wizzard890:

andreasmroberts:

Nicola Samori (b. 1977). Italian.
Neo-Baroque??

Nicola Samori is fucking incredible. He works out of Italy, and he’s managed to nail the style of the Old Masters: his exhibitions contain everything from beautiful Baroque saints to Flemish still lifes — all painted now, in the modern era, in his studio. And that would be amazing in and of itself, but his work is so much more than simple reproduction. See, once he’s finished with a painting, or once he’s adapted one that’s been previously created, he takes a scalpel to it, a spatula, or a square of sandpaper, and begins to peel it apart. He flays painted skin right off his subjects’ bones.
Sometimes the “destruction” of the images asks the audience to think about what, exactly, the painting communicates when it’s whole. Other times it adds a strange level of corporeality to religious works, or gives portraits a darkly spiritual dimention they never had before. 
He’s said in interviews that he views the layers of paint on the canvas as analogous to the muscle and tissue of the human body, and that by wearing it away, he changes the identity of the paintings themselves.
Dark and sometimes chilling as it is, I think his work is genuinely brilliant, and he’s one of my favorite living artists.
(Long story short, here’s his website, go check it out!)

reblogging these again because yes
aeromatic:

bighousediary:

Lera Pentelute

Ahhh her dress is so pretty!
noseasboba:

I never get tired of this photo.
Ella Fitzgerald was not allowed to play at Mocambo because of her race. Then, one of Ella’s biggest fans made a telephone call that quite possibly changed the path of her career for good. Here, Ella tells the story of how Marilyn Monroe changed her life:
“I owe Marilyn Monroe a real debt… she personally called the owner of the Mocambo, and told him she wanted me booked immediately, and if he would do it, she would take a front table every night. She told him – and it was true, due to Marilyn’s superstar status – that the press would go wild. The owner said yes, and Marilyn was there, front table, every night. The press went overboard. After that, I never had to play a small jazz club again. She was an unusual woman – a little ahead of her times. And she didn’t know it.”

Yesterday was the 57th anniversary of the arrest of Rosa Parks. 57 years ago Rosa refused to move from her seat to the back of the bus.
It was only 57 years ago that it was legal to tell someone just because of their skin color they had to give up their seat. Discrimination like this was widely accepted, it took one brave person to stand up and fight it.Yesterday President Obama visited the bus Rosa Parks was arrested in. It’s a powerful photo.Don’t forget the recent past.
goatmusk:

i always feel inclined to reblog this because it is literally the best hair flip in the history of hair flips